Publications

Greenland and the Faroes are autonomous jurisdictions within the Danish Realm, having undertaken a continuous process of extended self-determination in the post-WWII era. In both jurisdictions there are strong movements of secession and counter-secession, whose respective strengths are largely achieved through external relations. This paper will first provide an introduction to the historical background and the formal relationship between the two jurisdictions and their metropolitan state. We will then extend the two cases with a description of how increased internal autonomy has evolved in a dynamic interaction with changes in international affairs. Whether the two jurisdictions may move towards full secession or new forms of unity is difficult to predict, but external relations keep on pushing at the formal structures and limits of the realm, which we will briefly reflect upon in the final section.

The chapter deals with self-conceptions of exceptionalism in the United States and in Northern Europe. The notion that one nation, one region or one group is exceptional, conflicts with globalization theory. Because of migrating people, goods and ideas, the world is understood to become more homogeneous (Appadurai 2008; Comaroff & Comaroff 2012). However, globalization incorporates a globalization of risks, conflict (Beck 2007) and uncertainty (Bauman 2000), too. As contemporary Western societies are increasingly characterized by crisis and insecurity, there appears to emerge a need to highlight the unique features of the "Self". Phrases like »American Exceptionalism« and »Nordic Exceptionalism« have become common in political discourses from the 2000s, and are at once subject to a critical negotiation within popular culture, literature and film. In the following discussion, I will show how the American and the Scandinavian self-conceptions of exceptionalism iare interdependent. The analysis starts in America with an examination of a satirical television show by American stand-up comedian, Wyatt Cenac. Together with Jonathan Franzen’s novel "Freedom", it serves as an example of artistic approaches to a discursive strategy, which uses images of Scandinavia as a category of distinction in order to consolidate the libertarian idea of »American Exceptionalism«. The second part of the chapter concerns Scandinavian visual arts’ current reevaluation of the narratives, which form the basis for notions of »Nordic Exceptionalism«. Here, I will demonstrate how Susanne Bier’s feature films "Efter Brylluppet" (»After the Wedding«) and "Hævnen" (»In a Better World«) contribute to the critical negotiation of a Nordic self-conception, characterized by altruism and ethical and moral superiority.

Grönland Anfang des 20. Jahrhunderts: Ein koloniales und von Machtasymmetrien geprägtes Land. Zeitgleich mit den ersten Ausbildungsreisen junger Grönländer nach Dänemark kann sich in der bis nach dem Zweiten Weltkrieg abgeriegelten dänischen Kolonie eine eigene Romanliteratur herausbilden. Ebbe Volquardsen begibt sich auf die Spur der Vertreter einer frühen grönländischen Bildungselite, der die Autoren angehören. Er fragt: Wie kann literarisches Schreiben und Publizieren in dieser Konstellation gelingen? Welche Machtmechanismen müssen Grönländer umgehen, um sich als Akteure im literarischen Diskurs zu etablieren? Der Autor analysiert die ersten vier zwischen 1914 und 1938 erschienenen Romane grönländischer Autoren und stellt sie in einen kulturhistorischen Kontext. Welche Bedeutung kommt diesen Romanen im Diskurs um Nationsbildung und Identitätsfindung zu?